Citizen’s Treasure is a band just coming into their own, despite the fact that they play like well seasoned musicians. With two members merely 20 years old, you can hear and see the energy of youth in their performance. They play together like a well oiled machine, yet the current line up of band members has only been together for just over a year. When I saw them perform, of course the first thing that struck me as they walked up on stage, before they even played a note, was their young ages. They were the opening act for Last Daze that evening. I saw this group of what I considered “kids” (as I am beginning to feel way too old to be “hip,” or “groovy”, or whatever the kids are calling it these days) hanging out in the front rows of chairs. It struck me that the gentleman in the group who appeared youngest was wearing a The Doors tee shirt. As I thought that they were a random group of young men (and clearly hoodlums up to no good by default in my old, anti-social, crazy cat lady brain), I was just so happy to see someone so young wearing a tee shirt representing a classic band, overlooked by many their age. I recall turning to the person next to me and saying, “It renews my faith in humanity to see a kid his age wearing a Doors shirt.” Then they walked up on stage, and I grinned. Then they started playing, and my happiness turned to awe. They were face numbing, mind blowing-ly awesome! The first thing they played was a long, amazing Doors medley. One of the next things they played were some Pink Floyd songs. The young man with the tee shirt ended up being the guitarist. With a shy manner and a completely straight face, he tore that electric guitar up! No one else in the band held such a serious expression. There was enthusiasm and joy all around! The young vocalist expressed emotion and conveyed it to the audience better than most I’ve seen.

PJ Ferguson

I walked away from that performance repeating their band name in my mind, and vowing to learn more about them. And I did! Though, unfortunately I have yet to make it out to another one of their performances yet (don’t forget, I’m a tea drinking, blanket knitting, isolated cat lady who’s aged before her time). But I was lucky enough to catch up with the singer, PJ Ferguson, for a phone interview. He gave me the low-down on the band: himself, Jon Carl Smith, the bassist, Tim Irwin, the drummer, and Ben Fox, the guitarist.

Tim Irwin

As I said earlier, the current lineup of musicians in the band has been together for over a year. The band originally formed in 2013, with PJ and Jon in the beginning lineup. Prior to that, PJ had recorded a solo and a duo album. The recordings on their site, as well as the originals they perform up until now, have been from those albums. Now, however, they are currently in the studio, recording their first album as a group, with Tom Case recording and Mike Packard producing. PJ says the creation of their songs is a collaborative effort, with different members coming forward with a riff, or a beat, or a piece of a melody, and things progress from there. PJ then writes all of the melodies and lyrics.

Their sound is primarily rock, but I noted a touch of soul and funk in their playing. This aspect, according to PJ, is brought by Jon. He described him as a “funky bass player.” Jon enjoys Motown, Stevie Wonder, and other such musicians. Play that funky music, white boy!!

Jon Carl Smith

I noticed right away in their performance how into the 70’s rock music scene they seemed to be. I was curious as to how they got into this genre. PJ credits this to his father, who was a wedding DJ, getting him into this music at a young age. He mentioned how a lot of today’s music disappears after 5 years or so, but musicians and bands such as Tom Petty, The Doors, Led Zepplin, ACDC….their music is “timeless.” The members of Citizen’s Treasure share a love of this music, which is a part of the reason they came together.

As I mentioned, the band was very into their performance when I saw them, playing in a manner that reeled the audience in. One of the unique things they incorporated was the use of a megaphone. PJ used it with his singing on a couple of songs, one of which was “Another Brick in the Wall” by Pink Floyd (“you can’t have your pudding if you don’t eat your meat!”) I asked where that idea came from and PJ said from a few bands, but mainly Stone Temple Pilots (Scott Weiland, the lead singer, is his favorite musician).The use of the megaphone in their performances not only distorts the vocals and provides a visual effect, but also is a sort of representation of protest-a symbol of “rebelling against the man” that seems to be a frequent theme in rock.

As I had noted earlier, guitarist Ben Fox looked so straight faced as he played. Later I discovered that he was also the only band member that didn’t have a photo next to his name on their website. I inquired to whether or not Ben is a shy person. PJ said “we all try to tell him to smile more.” He mentioned how some guitarists really overdo the theatrics in their performing, and they would like him to do something like that just once. But, the explanation for Ben’s serious demeanor is that he’s “in the zone” when he plays. He is so focused and into the music. Totally worth it! His playing is incredible! PJ, though so very outgoing and expressive when performing, claims he is shy when they are not playing live. He says performing is like “coming into your own skin.”

Ben Fox

With such talent, I suspected some formal training in their pasts, but apparently the band members are pretty much self taught. I told him how I find people who have the discipline to do that inspiring. I know personally there’s things I’d really like to learn, but now that there’s no teachers to answer to, the couch is just too damn comfy… PJ says “You gotta have drive. You may go even months without touching it because you feel you’re not progressing fast enough.” Yeah, that latter part sounds more like me.

As for the future of the band, they want to see how their first album appeals to their audience. They will also be making a music video for one of the songs. They’re finishing up recording in February, so keep an eye out for it in the near future! Their next performance is at GUG’s in Glens Falls on February 4th of 2017.

So, in the opinion of this old lady, with old taste in music, these guys are on the fast track to joining the ranks of “timeless” music. Check them out! And, if I ever decide to leave my house again, maybe I’ll see you at one of their upcoming shows. Who knows… It’d definitely be worth it!


Posted by chad on December 15, 2016
Category: Uncategorized

Meet the Secret Society!

THE SECRET SOCIETY is a superhero-secret agent team of ‘metaphysical crimefighters’ developed by creator and writer Bradley Mason Hamlin with artist Mort Todd.


Play the video! The SECRET SOCIETY has a cult following on the web from the Mystery Island websites and pulp novelettes… Now a limited edition comic!



Posted by chad on November 24, 2016
Category: Uncategorized

 The Artist Den brings you the best version of Scrooge; for the 5th year in a row.

Get out the hot cocoa and pj’s, it’s about to get cozy and warm.

Merry Christmas and a Happy New Year to All!!!

Georgia O’Keeffe

Posted by jane morris on November 23, 2016
Category: Uncategorized

Georgia O’Keeffe is considered not only an honored artist, but a symbol and idol of the feminist movement. While she never proclaimed these ideals, people considered her thus because she became such a proclaimed and often exhibited female artist in a male dominated art scene. It may also have something to do with the fact that, to anyone who has ever gotten a peek up a skirt can tell you, her close up paintings of flowers look uncannily like a woman’s….private parts. Though, she denied these perceived attributes of her art.

She was born in Wisconsin in 1887, the second of seven children, to a mother who had once aspired to be a doctor and thus encouraged her children to become well educated. So, O’Keeffe had a built in cheering squad for her success.

O’Keeffe attended the Art Institute of Chicago after high school. While she was at the top of her class, she contracted typhoid fever and was forced to take a year off. In 1907 she got back into the flow when she went to New York City to take classes at the Art Students League, learning realist painting. When her mother fell ill in 1908, she was forced to stop attending classes due to finances, and returned to Chicago to work as a commercial artist. In 1910 she went to live with her family in Virginia. She did not let circumstances keep her work at bay, however, and in 1912 she attended summer school at the University of Virginia.

Through her classes, her interactions with other artists, such as Columbia professor Arthur Wesley Dow, and later her teaching, especially at Columbia College in South Carolina, the exposure to different perspectives in art she gained lended itself to her transition from realism to more abstract art. Some of her most famous works with this new perspective were her “zoomed in” paintings of flowers. She wanted people to take notice of their beauty, so she said, “I’ll paint what I see…but I’ll paint it big and they will be surprised into taking time to look at it.” But clearly, from their undeniable resemblance to lady parts, her vision seemed to be of more than just petals and stems. One of these pieces, Pansy, done in 1926, has been in my life a long time now. My sister always had it hanging in her place. It is one of her favorite works of art. “It reminds me of a woman,” my sister said. “The small, delicate flower on top is the part of a woman that everyone wants to admire and touch. But the bigger petals at the bottom are the dark parts beneath that no one wants to see or deal with.” O’Keeffe at one point said, “I feel there is something unexplored about woman that only a woman can explore.” And boy, did she explore it. She got all up in there and explored it hard!

Pansy, 1926
Pansy, 1926

O’Keeffe had an affair with a married man who later left his wife for her. The man who became her husband in 1924, Alfred Stieglitz, gave her her first solo exhibit in a studio in New York City in 1917. The very non-feminist aspect of this whole relationship was that it may have looked like, since he was 23 years older than her, a sort of “sugar daddy” scenario. I mean, what ever happened to that strong female line, “I don’t need a man.” However, despite his age, and the fact that he moved her to New York, paid her rent, and had her art shown, it would seem that they were also genuinely enamoured of each other. Stieglitz was a photographer. He considered his young bride his “muse” and took over 300 photos of her, many of them nudes. They were racy and modern for the time, though none of them were as close up or in as great detail as her flower paintings. Good thing….that would have been incredibly awkward. Thanks to these photos, her face became as iconic as her art. The couple lived in New York City, where O’Keeffe took a liking to painting city skylines in works such as, American Radiator Building {1927}. They lived their summers in Lake George, NY (local shoutout!).

Radiator Building, 1927
Radiator Building, 1927

Before Stieglitz passed away, he had an affair with a female photographer he was mentoring. I guess he decided he wanted someone even younger. Though, judging by the timing of his death, perhaps his heart couldn’t handle it….if you catch my drift.

After Stieglitz’s death, O’Keeffe moved to New Mexico, a location to which she had taken a liking before his death, to paint landscapes, architecture, and Navajo culture, in works such as, Cow’s Skull: Red, White, and Blue {1931}.

Cow's Skull: Red, White, and Blue, 1931
Cow’s Skull: Red, White, and Blue, 1931

In the early 1970’s she developed macular degeneration and began to lose her eyesight. Despite this she painted, with assistance, till the end. At age 90 she said, “I can see what I want to paint. The thing that makes you want to create it is still alive.”

Georgia O’Keeffe was an inspiring woman, whether or not she was truly a “feminist.” She faced a male driven art scene with charisma and talent. “To create one’s world in any of the arts takes courage,” she said. “I’ve been absolutely terrified every moment of my life, and I’ve never let it keep me from doing a single thing I wanted to do.”

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